Day 82: Any Resemblance Is Purely Coincidental
In their parents' kitchen in Nałęczów, Bazyli (A) confronts his older brother Juliusz (B), whose first novel comes out next month, after reading its proofs.
How to study this lesson 3 steps
- Read the situation under the title. It says who is talking and how they know each other, which decides how politely they speak.
- Read the dialogue line by line with its translation, until every line makes sense. Point at (or tap) a Polish word to see what it means.
- Spend at least 30 minutes listening to native Polish, for example from the Resources page. It doesn't matter if you don't understand it yet.
Dialogue
Audio recordings are on the way. For now, each lesson is the dialogue with its English translation.
Keys: E hide English · ← → previous / next day · point at a word to see its meaning
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A
Przeczytałem korektę twojej powieści. Kim jest Hilary, młodszy brat narratora, ten, który je płatki z garnka i nie oddaje długów?
I've read the proofs of your novel. Who's Hilary, the narrator's younger brother, the one who eats cereal out of a saucepan and never pays anyone back?
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B
Postacią fikcyjną. Na stronie redakcyjnej stoi jak byk: wszelkie podobieństwo do osób rzeczywistych jest całkowicie przypadkowe.
A fictional character. It says so in black and white on the imprint page: any resemblance to real persons is purely coincidental.
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A
Przypadkowe? Ma moje drugie imię, mój rower i moją byłą dziewczynę. Upupiłeś mnie jak Pimko Józia w „Ferdydurke”!
Coincidental? He's got my middle name, my bike and my ex-girlfriend. You've turned me into a big kid, just like Pimko does to Józio in 'Ferdydurke'!
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B
Józio miał trzydzieści lat i profesora, który go upupił. Ty upupiasz się sam, bez pomocy z zewnątrz.
Józio was thirty, and it took a professor to turn him into a kid. You manage it all by yourself, without any outside help.
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A
Bardzo zabawne. Gdybyś mi był powiedział, że od lat robisz o mnie notatki, byłbym milczał jak grób.
Very funny. Had you told me you'd been taking notes on me for years, I'd have kept as quiet as the grave.
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B
Każdy pisarz podkrada z życia. Mann wsadził pół Lubeki do „Buddenbrooków”, a Lubeka i tak zrobiła go honorowym obywatelem.
Every writer pilfers from life. Thomas Mann put half of Lübeck into 'Buddenbrooks', and Lübeck still made him an honorary citizen.
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A
Po pół wieku? Tyle nie poczekam: albo Hilary przestaje jeść z garnka, albo mama dowie się, kto naprawdę stłukł jej wazon.
After half a century? I'm not waiting that long: either Hilary stops eating out of the saucepan, or Mum finds out who really broke her vase.
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B
To szantaż, i to niskich lotów. Zresztą wazon też jest w książce, rozdział siódmy, i stłukł go oczywiście Hilary.
That's blackmail, and pretty cheap blackmail at that. Anyway, the vase is in the book too, chapter seven, and of course it's Hilary who breaks it.
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A
Czyli zwaliłeś to na mnie w książce, którą mama przeczyta pierwsza?
So you've pinned it on me in a book that Mum's going to read first?
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B
Już przeczytała, w maszynopisie. Powiedziała, że to fikcja literacka, ale wazon odliczy ci od prezentu urodzinowego.
She already has, in manuscript. She said it's literary fiction, but she's taking the vase out of your birthday present.
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A
No to koniec i bomba, a kto czytał, ten trąba. Ale dedykację piszę ja: „Bratu, bez którego ta książka byłaby o połowę krótsza”.
Well then, to quote the last line of 'Ferdydurke': the end, and whoever read this is a dunce. But I'm writing the dedication: 'To my brother, without whom this book would be half as long.'
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